IGO: What are some of the specifications for entering?
SC: A single gymnast or more gymnasts per club can participate. The more we are, the better it is. The participant must be visible on the beam throughout the whole choreography. The video may not be edited and must be original. If the acrobatics and gymnastics elements are too difficult, they can be simplified, provided the rhythm and choreography are the same. The minimum height of the beam is 80 centimeters for gymnasts under age 11, and normal height for gymnasts age 11 and older.
IGO: Besides being longer than a regular beam routine, what makes Beamtango uniquely exacting?
SC: First of all, beam is an event on which we are not used to performing with music. The beam is a rather “silent” event. It may even seem boring at first sight, but on it, in reality, a world can be opened. I like to define beam as an introspective event. When you are on it, everything around you must disappear. It is a moment that you spend with yourself. You learn to know yourself, stay in balance and not only with the body, and control your movements, breathing and emotions. It is an extreme high-concentration workout. Trying is believing.
Technically there are many interesting aspects. Those who know the FIG (International Gymnastics Federation) scoring code know that section 12 – Beam is about artistic execution, composition and choreography, and rhythm and tempo. As a judge I wanted to create an exercise that would respond exactly to this fundamental but sometimes neglected technical specification.
Beamtango is a three-minute consecutive choreography on the beam, characterized by numerous turns and pirouettes, steps forward, backward and sideways, high and low level changes, moments of contact with the beam, and fast and slow rhythm. But everything is performed without the slightest interruption, in a single and fluid movement. Pauses in preparation for gymnastics and acrobatic elements have also been eliminated. The gymnast must learn to focus in advance on the execution of a complex movement, but without ever stopping. Impossible? No, but it’s a big challenge that requires a lot of practice.
Chiara initially thought she couldn’t do it. It was too difficult. She got unbalanced and fell almost continuously, and obviously this frustrated her a lot. But we started analyzing her movements down to the smallest detail, from the tips of her fingers to the tips of her toes. She was never tired of receiving my corrections – or maybe she was, but she didn’t show it. She was committed, she was constant in practice and training, and she listened to music even going to and from training to get in tune with it. One pirouette after another and one swing after another, I began to see not only more fluidity in her movements, but more confidence in herself. This is something beautiful. One of the first times that she reached the end of the three minutes without falling and almost never making an imbalance, I saw such joy and satisfaction in her eyes that paid off the six months of study we dedicated to this choreography.
IGO: Who can participate?
CS: Gymnasts older than age 13 can participate in the official competition. Gymnasts under 13 can participate and send their videos, but they will not be part of the final competition. However, they will receive a recognition award. We decided this way due to volume and fair competition in connection with skills and age.
IGO: Who will judge the entries?
CS: We have former champions such as Samantha Peszek and Betty Okino of the U.S., Hana Ricna and Kristyna Palesova of the Czech Republic, and Vasiliki Millousi of Greece. We also have great coaches and beam specialists such as Valorie Kondos Field and LaPrise Williams of the U.S., and Claudia Ferrè of Italy, plus international judges such as Marleen Van Dooren of Belgium, Sabrina Klaesberg of Germany and others.
IGO: What are the judging criteria?
CS: The four criteria are:
- Artistry: the gymnast must show a personal style in the interpretation of the choreography and confidence in the execution of the movements. Particular importance will also be given to amplitude of movements and facial expression.
- Rhythm and fluency: the whole choreography should be performed in the rhythm of music without the slightest imbalance, pauses or moments of emptiness.
- Precision in the execution: some tutorial videos will be published to explain in the detail how to perform the movements, even with which leg or arm. The gymnast has to stick to these videos as much as possible. The acrobatic and gymnastics elements can be simplified, while remaining in time with the music.
- Only full executions of the official Beamtango choreography will be judged.
Is this initiative mainly about a technical aspect on the right posture to balance on the beam? No. This is a project of “SWING, towards sustainable gymnastics”, a great initiative born at TURNZ Amsterdam Gymnastics which aims to create upward energy in the sports world. Beamtango is not only an innovative way of moving on the beam. It also brings a lot of international people together who have a special love for gymnastics and all that springs from it. Since there is so much going on in the gymnastics world, we would also like to use the Beamtango Challenge to speak out for sustainable culture change for all the young and beautiful athletes out there who are going to bloom and shine by mastering this beautiful dance on the beam. We are driven by positive vibes, and we try to be inspired by positive coaching. It will certainly be difficult to keep your concentration high for three minutes without committing even an imbalance, but it’s not impossible. With Chiara we have had an example.
IGO: What are the benefits to the gymnasts who are up for the challenge?
CS: To be confident and elegant gymnasts on the beam? Yes, sure. To learn how to stay focused and control your body? Yes, sure. But above all it teaches you to persevere, get up after a fall, try and try again, and believe in yourself. And that’s the thing about Beamtango of which I’m most proud.